![]() If you open the Brower’s window from the View menu, you can add audio files from the Project tab. But the basic concept is that you want to make sure each piece of audio is located precisely where it needs to be on the Arrange page, in sync with the video footage - it’s no good the sound of an explosion being off by a few milliseconds! If you’re working on sound design, you’ll first want to import all the audio files you’ll need for the production. You might also be composing directly alongside the video. Screen 2: The List Editor in SMPTE mode.If you are acting as sound designer and audio editor on a production, the audio you might want to use could consist of pre‑composed music, dialogue, sound effects and ambient noises. There are several Nudge Region/Event key commands available when dealing with SMPTE time, and you’ll find it easier to finely move Regions or Events using these, rather than dragging them with the mouse. You’ll probably want the Toolbar visible - it’s in the View menu - as this is where you’ll find the Nudge value settings (you’ll usually want to select Frame or finer). You can move the playhead in frame steps by holding the Ctrl key down when dragging. You’ll want to turn Snap off as it’s unlikely that any audio you place against a video will be on a defined grid (unless it’s a music video, perhaps). If you’re a seasoned Logic user, you probably have strategies for moving Events and Regions around, but there are some specific tools that are particularly useful when working with video. You can also auto‑create Markers from scene cuts or Marquee selections from the Navigate/Other menu. You should Ctrl‑click and open the Marker Global track while you’re here, as Markers can help when moving around lengthy sections of footage. If you click on the Global Tracks button, you’ll see the movie path already there, and dragging this area down should display thumbnails of the video. These window positions can be saved as Screensets from the numerical menu to the left of the Help menu. ![]() This generates a nice timecode window that you can place under your video. Next, click on the downward arrow on the right and select Open Giant Time Display (Screen 1). This creates a resizable timecode window. It’s useful to have a timecode display running alongside your video, so create a Transport Float from the Window menu, Ctrl‑click on it, set the LCD to Time and de‑select every other option. If you Ctrl‑click on the control bar and change the LCD to Time, these preference changes will then be reflected in the Time window. Movie time is usually measured in SMPTE timecode values of hours, minutes, seconds and frames, so open the Preferences from the Logic Pro menu and choose Display Time as SMPTE, with or without subframes depending on how much resolution you require. When you’re working with audio and video, the positioning of content in absolute time is essential. The Video window can then be resized, either by Ctrl‑clicking and selecting a preset size and location or by using the mouse and dragging it. I find that 720x960 resolution is just fine, and Logic can import almost all the common video formats. Depending on your computer, you may want to avoid using 4K+ resolution videos, although the latest Macs won’t break a sweat working with these. This will then load the video into a separate window and place its audio on a new track. ![]() Depending on the file, Logic may also complain that the default frame rate isn’t the same as the imported movie, so you should choose the option that conforms the Project’s frame rate to the video’s. You’ll be asked to open the movie and whether you want to extract the audio track - this is probably a good idea. To get a movie into Logic, just drag the file onto the Arrange page. In fact, its close integration with Final Cut Pro makes it the ideal DAW if you are working with that particular non‑linear editor (NLE). Logic Pro X may not be the first DAW you think of for working with visual media, but it is in fact more than capable of creating sophisticated soundtracks for video content. Logic Pro X contains everything you need to add high‑quality audio to your videos.
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